WORKS ON PAPER/COLLAGE
Pull The Trigger
2020
Collage of cut printed papers, silkscreened and linocut additions, holographic sticker paper over cut printed paper mounted on paper
20 x 16 inches, 50.8 x 40.64 cm
$1,000 USD

Double Trouble
2020
Collage of cut printed and painted papers, linocut on mirror mounted on paper
20 x 16 inches, 50.8 x 40.64 cm
$500 USD
Blow Away
2019
Collage of cut printed paper and 22k gold metal leaf on paper
11 x 14 inches
© Gina D’Emilio 2020

War Bingo



Let Myself Let Go (Radical Acceptance)
2022
Oil and spray paint on canvas with cut paper additions
48 x 36 inches, 121.92 x 91.44 cm
$1000 USD

Trouble
2021
Collage of cut printed and layered papers, UV glow paint, Hologram sticker paper
30 x 20 inches, 76.2 x 50.8 cm
$580 USD on Artsy.net

Avoidance
2022
Collage of cut and painted screen printed papers
$580 USD

Nervous
2021
Collage of cut and painted screen printed papers
28 x 20 inches, 71.12 x 50.8 cm
$750 USD

Bingo Bingo
2021
Collage of cut printed and layered papers, UV Glow Paint, Hologram sticker paper
30 x 22 in, 76.2 x 55.9 cm
$580 USD
For Sale

On My Mind
2021
Collage of cut and painted screen printed papers
18 x 13 inches, 45.72 x 33.02
$200 USD

Nobody Knows
2021
Collage of cut printed and painted papers, UV glow paint and holographic paper
28 x 20 inches, 71.12 x 50.8 cm
$750 USD

Consuming
2021
Collage of cut, and printed papers, layered with holographic film
36 x 30 inches, 91.44 x 76.2 cm
$900 USD

Fever
2020
Collage of hand-cut printed papers, India ink wash, glitter, and holographic sticker paper mounted on a screen printed wood panel
56 x 33 inches, 142.24 x 83.82 cm
$3000 USD

Happened Again
2020
Collage of hand cut papers, linocut, hectograph, inkjet, suminagashi, and translucent hologram paper adhered to paper.
28 x 22 inches, 71.12 x 55.88 cm
$1000 USD

Crush
2020
Collage of silkscreened and linocut additions, paint, ink, cut printed papers and holographic sticker paper on Strathmore watercolor paper
30 x 22 inches, 76.2 x 55.88 cm
$1200 USD

Explode
2020
Collage of cut printed paper, tempera paint, ink over pencil, ink wash over paper, with linocut additions
30 x 24 inches, 76.2 x 60.96 cm
$750 USD

2004
2011
Layered vellum, Sharpie marker, colored pencil, graphite, metal grommets, pen, highlighter.
10 x 18 inches
© Gina D’Emilio 2019

2005
2011
Layered vellum, Sharpie marker, colored pencil, graphite, metal grommets, pen, highlighter.
10 x 18 inches
© Gina D’Emilio 2019
2006
2011
Layered vellum, Sharpie marker, colored pencil, graphite, metal grommets, pen, highlighter.
10 x 18 inches
© Gina D’Emilio 2019

2007
2011
Layered vellum, Sharpie marker, colored pencil, graphite, metal grommets, pen, highlighter.
10 x 18 inches
© Gina D’Emilio 2019
2008
2011
Layered vellum, Sharpie marker, colored pencil, graphite, metal grommets, pen, highlighter.
10 x 18 inches
© Gina D’Emilio 2019
2009
2011
Layered vellum, Sharpie marker, colored pencil, graphite, metal grommets, pen, highlighter.
10 x 18 inches
© Gina D’Emilio 2019

Daily Agendas (2005-2010)
2011
Layered transparencies, Sharpie marker, metallic marker, masking tape
8 x 10 inches
© Gina D’Emilio 2019
7 Days

The Order of Things
Colored pencil on graph paper.














Safe For The Moment—her most recent works are part of an ongoing series–which she started in 2020–called Safe For The Moment. She explores the repetitive patterns of stress on the body over time, focusing on how these psychological cycles—shaped by fear and anxiety—manifest physically. Through vibrant collages and paintings, D’Emilio examines how emotional and psychological stress can create lasting impressions on the body, drawing on research into mood disorders and other psychological conditions. By using color and form, she visualizes the ongoing rhythms of stress and their impact on the human experience, making visible the often-invisible traces of emotional turmoil. Through various drawing, printing, and painting processes—using materials like reflective paper that shifts from warm to cool, mimicking gradual or sudden mood changes, and fluorescent and phosphorescent paints that highlight areas of calm or chaos—she builds layered compositions that mirror emotional fluctuation.